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The Breaking Dawn break-down

Posted by Mannimal in Film, Issue 3 - Full Text January 12, 2012  |  No Comments
The Breaking Dawn break-down

Foreplay better than the Finale of the Twilight Saga

By: Emma Malm

After three movies of, “Please, please, please!”, Bella Swan (Kristen Stewart) finally gets what she wants: sex with her vampire lover. Unfortunately, the foreplay was better than the real deal. The Twilight Saga: Breaking Dawn, Part 1, like disappointing sex, is a strange combination of boring and overly stimulating.

Director Bill Condon (Dream Girls, Gods of Monsters) doesn’t waste any time setting the scene for viewers: five seconds and one line in, Jacob Black (Taylor Lautner) tears off his shirt and runs into the woods – terribly upset, as usual. But, hey, it’s better than him actually delivering a line.

The next half hour or five are devoted to Bella and Edward Cullen’s (Robert Pattinson) wedding preparations and the wedding itself. Admittedly, the wedding scenes were beautiful. The camera follows Bella down the aisle, focusing on the details of her perfect dress, flowers and hair. Strangely, this feels like the most suspenseful moment in the film.

A montage of wedding speeches follows – the only instance of intentional comedy in the film. “I have a gun and I know how to use it Bella’s father jokingly warns. Simple and been- done-before humour, yes, but humour nonetheless – something the flick lacks over the next two hours.

Next in the prepubescent fantasy comes the honeymoon, delivering every cliché an overly romanticized tweenager could hope for. Everyone in the theatre was tingling with excitement while waiting for the big sex scene in the entire audience bursting into laughter: Edward breaks the bed, Bella wakes up with bruises, and the bedroom is transformed into a post-apocalyptic wasteland.

Is it just me, or does the following need to be asked: is this a good example to set for young girls?

Then, Bella eats some chicken and finds out she is pregnant with a half-dead, undead, immortal-vampirish-monster baby. I don’t know about today’s middle schoolers, but this bit was not in my girlish fantasy.

Naturally, the rest of the movie is devoted to a shamelessly unveiled abortion debate. Language like “it’s my decision” and “why can’t you see it the way I see it?” spouts from Bella’s mouth as she defends her choice to keep the baby that may kill her. But don’t worry; as this is a debate, there are a number of sides. Edward believes Bella carries a “thing” in her womb; the adorable Alice Cullen (Ashley Greene) calls it a “fetus”; the fiery vampire Rosalie Hale (Nikki Reed) names it a “baby”.

After a hipster vampire vs. bro werewolf battle, Bella goes into labour and things stop being silly. Any merit to the characters’ pro-life arguments completely negated after watching this birthing scene. Bill Condon leaves the land of melodrama – it’s just not dramatic enough – and bravely enters a brand of gothic horror. Gory and are a few words to describe this scene.

Though it was filmed perfectly, it was in no way integrated into the rest of the

film. Before entering the gothic, Condon has already jumped from romance to melodrama to just plain ridiculous, giving the film a fragmented feel.

per

,”

, which resulted

is

gut-wrenchingThe Twilight Saga: Breaking Dawn, Part 1

was not nearly as entertaining as the three films preceding it. But, if you want to feel connected to pop culture and you’ve already seen the other

three, you might as well watch this one, too.

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The Reel Deal

Posted by Mannimal in Film, Issue 1 - Full Text January 12, 2012  |  No Comments

Movie with Benefits

By: Emma Malm

We all know the story line: they meet, they fall, they lose, they realize, they get. We make fun of it, but we all love it. I’m talking about the romantic comedy.

In Friends with Benefits, skillfully directed, produced, and co-written by Will Gluck, we see this exact story line unfold, marking it as a classic and by-the-books romantic comedy. Though what’s different about this rom-com is its sharp self-awareness and ability to mark the clichés, not only within its own genre, but within our own world. Friends with Benefits looks at itself in the mirror, nods, and says, “Yup, that’s me.”

Although some may say it’s embarrassing and uncool to enjoy a movie with Justin Timberlake in it, don’t judge a movie by its former boy band member. Justin Timberlake and Mila Kunis deliver outstanding performances of two peas in a pod in denial.

Sparks fly as soon as “emotionally-damaged” headhunter, Jamie (Kunis), meets “emotionally unavailable” magazine art director, Dylan (Timberlake). Between fast paced and sharp tongued banter, reminiscent of the dialogue in When Harry Met Sally, Jamie and Dylan soon find themselves in a supposedly complication-free agreement to be friends with benefits (hence the super sly title). “No emotion. Just sex,” they swear over an iPhone Bible app.

What ensues, however (and of course), is not what they signed up for. Though they both try dating outside their beneficial friendship, they find that maybe “emotionally damaged” and “emotionally unavailable” aren’t so bad after all, especially when they Jerry Maguire complete each other so well: Woman – man; New Yorker– LA native; yin – yang.

What especially delights is what it stands for concerning gender relations of tomorrow – or quite possibly today. Gluck and his co-writers Keith Merryman and David Newman create a strong female romantic lead that comes with emotional complications, just like any other human. A believable, complex female lead in a romantic comedy? Mila Kunis makes it so!

Kunis presents Jamie as the quintessential modern single woman who, despite her great strength, is emotionally trapped by her own, unrealistic romantic ideals. Gluck uses Jamie not to tell us that fairy tales are impossible, but that they’re in dire need of an update: “Shut up Katherine Heigl, you stupid liar!” screams Jamie (quite rightfully) at a poster of The Ugly Truth.

What really stood out for me was the myriad of raunchy sex scenes which I found bizarrely relatable. “What are you trying to do – dig your way to China?” asks Jamie of Dylan as he performs oral activity on her privates.

The next few minutes of sexual encounters between the two peas are hilarious, honest, and absolutely perfect – likely the most well done, hilarious, and relateable sex scenes this author has ever seen in a film.

All in all, Friends With Benefits is a rom com that should actually be seen. It has believable chemistry, conflict, and characters. It’s easy to swallow, absolutely delicious, and totallysatisfying when it comes to both redefining romantic comedies and re-emphasizing why they were loved in the first place.

Maybe you’ll even start to like Justin Timberlake.

Pull Quotes:

“don’t judge a movie by its former boy band member” *IF SPACE FOR TWO WITH TWO THEATRE AND CAFE COLUMNS THEN ALSO *** “the most well done, hilarious, and relatable sex scenes… ever”

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